Kadir van Lohuizen: Artist Statement

In the 1990s, I covered the fighting in Zaire (now the Democratic Republic of Congo), Sierra Leone, and Angola, conflicts that were often dismissed as tribal wars, the final convulsions of the Cold War. By degrees, however, these conflicts turned into struggles over diamonds.

The diamond deposits, for the most part, were controlled by the Angolan and Sierra Leonean rebels, who used the gems as a means to buy weapons. Governments got in on the act, and the terms "blood diamond" and "conflict diamond" were born.

In time, pressure was put on the diamond industry and the relevant authorities to create a certification system to guarantee that only conflict-free diamonds came on the market. Worried by any threat to its image, the industry bowed to public opinion and entered into negotiations with the various regulatory authorities. In 2002, the Kimberley Agreement was signed by a large number of the exporting and importing countries. The agreement reduced smuggling and made the industry more transparent. Today these countries, on the whole, are at peace, and officially rebel movements no longer play a role in diamond exploitation.

Yet working conditions remain appalling. Profits are enormous but very little flows back to the people. They are chased off their land and given little, if any, compensation. A fair trade agreement for diamonds would be the ideal solution, with profits being shared by all in the industry and diamond workers' rights being protected.

Until recently, the South African company De Beers had a monopoly on the diamond market and was able to dictate prices. But given the large diamond reserves in the world, a collapse of the market and tumbling prices are not inconceivable. Such a collapse would not benefit the African countries, where mineral resources such as diamonds, if used for the common good, can fund reconstruction and economic development.

A year ago, in cooperation with the Netherlands Institute of Southern Africa, I returned to the African countries I had covered during the fighting to follow the diamond trail from mine to ultimate consumer. These photographs attempt to picture the whole industry by depicting the workers, financiers, dealers, and the people who buy and wear diamonds.