Open Society and Soros Foundation
about usinitiativesgrants and scholarshipsresource centernewsroom
Contact
Search


Moving Walls International

A Group Photography Exhibition

Bendar Al-Bashir | Gary Fabiano | Aleksandr Glyadyelov | Eric Gottesman | Edward Grazda | Lori Grinker | Tanya Habjouqa | Amal Khalaf and Loredana Mantello | Andrew Lichtenstein | Rania Matar | Randa Mirza | James Nubile

Moving Walls is a series of traveling documentary photography exhibitions sponsored by the Open Society Institute. The program was launched in 1998, and since then, it has exhibited the work of over 70 photographers in New York, Washington, DC, and Baltimore. In 2006, OSI inaugurated an international tour of Moving Walls in the Middle East, Central Asia, and the Caucasus in partnership with OSI’s Middle East and North Africa Initiative and Arts and Culture Program. The international exhibitions feature photographs that were included in previous Moving Walls exhibits in the United States. At each venue, these photographs are combined with work by local photographers.

Concurrent public and educational programming is organized in conjunction with each exhibition in order to facilitate cross-cultural dialogues about the medium of documentary photography. Local partners offer programs such as photographers’ talks and related film screenings, Al-liquindoi coordinates production workshops for local photographers, and OSI’s Network Debate Program offers youth media workshops to high school students, using Moving Walls for the curriculum.

Read the curators' statement.

Download a brochure about the exhibition in English and Arabic.

View the exhibition schedule.


Bendar Al-Bashir*


Place and Prostitution
A stretch of seaside shacks. A broken fountain in a desolate urban park. A deserted midnight corner, blocks from the silent seat of central government. A pod of rusted bumper cars, patient on a muddy cliff above a war-scarred city's slope toward the Mediterranean.

* Exhibited only in Dubai, UAE.

Photo Gallery | Artist Statement | Bio


Gary Fabiano


Property
One’s personal understanding of property reflects one’s own beliefs about what is important enough to obtain. Property is acquired at all levels of society, and wealth does not set the standard for what property is or should be. Taken in the United States, Gary Fabiano’s pictures help the viewer look at people who are homeless differently. Their property, which may be less extravagant than the property of others, is still property.

Photo Gallery | Artist Statement | Bio


Aleksandr Glyadyelov


Spare: Between Despair and Hope
The children in Aleksandr Glyadyelov’s pictures do not live normal lives. The humiliating poverty experienced by the majority of Ukrainians has pushed these kids out of their homes and onto the streets where they spend their days searching for a crust of bread, and their nights looking for a place to sleep.

Photo Gallery | Artist Statement | Bio


Eric Gottesman


AIDS and Stigma in Ethiopia: "If I Could See Your Face, I Would Not Need Food"
In collaboration with his subjects, Eric Gottesman has made portraits that express what Ethiopians living with HIV want others to see about their lives. As such, the pictures begin to form a portrait of what HIV/AIDS looks like from an Ethiopian perspective.

Photo Gallery | Artist Statement | Bio


Edward Grazda


NY Masjid: The Mosques of New York City
The over 100 mosques in New York City mark the emergence of a positive transformation in American society, of an identity that is both American and Muslim. Documenting mosques and analyzing their architectural forms, conducting interviews with community members, Edward Grazda seeks to reveal an alternative image of American Islam.

Photo Gallery | Artist Statement | Bio


Lori Grinker


After War: Veterans from a World in Conflict
From Eritrea to El Salvador, from Pakistan to Russia, Lori Grinker has met men, women, and children who survived war, often with damaged bodies and scarred lives. Her work, which captures the physical and psychological wounds of veterans from World War I to Iraq, serves as a powerful reminder of the human toll of war, one that is especially relevant amid the ongoing conflicts in the world.

Photo Gallery | Artist Statement | Bio


Tanya Habjouqa*


Lebanon TBD
While working in conflict zones for news and humanitarian agencies, I have encountered countless individuals who left me questioning if I was capable of telling their stories with the sensitivity and nuance they deserve.

* Exhibited only in Amman, Jordan.

Photo Gallery | Artist Statement | Bio


Amal Khalaf and Loredana Mantello*


I Lost My Children
The home is one of the most common and frequent sites of violence against women, yet throughout the world, laws exist that leave them vulnerable to violence from within their own family networks. These laws discriminate against women in marriage and limit their access to divorce and child custody.

* Exhibited only in Manama, Bahrain.

Photo Gallery | Artist Statement | Bio


Andrew Lichtenstein


Life Inside the Prison Boom
Andrew Lichtenstein has spent time in 12 facilities in Texas, the state with the greatest prison expansion in American history. His photographs—which show people who are in prison for the first time, people who are mentally ill and behind bars, and a rare look at maximum security units—document life inside a closed, secretive, and unique world.

Photo Gallery | Artist Statement | Bio


Rania Matar*


The Forgotten People
Having lived in Lebanon and the United States, I see Lebanon from different angles. I am an insider who speaks the language, knows the country, and understands the people. But I am also an outsider who sees Lebanon and its complexities through Western eyes. Living in the United States has made me realize how little people know about the Middle East. One objective that I hope to achieve with my photography is to make people aware of issues that are often ignored by the media.

* Exhibited only in Beirut, Lebanon.

Photo Gallery | Artist Statement | Bio


Randa Mirza*


Abandoned Rooms: Lebanon, 2005-2006
From 1975 to 1990, during the civil war in Lebanon, waves of civilians fled their devastated homes and sought shelter in abandoned apartments, villas, hotels, and summer houses. The Lebanese militias and foreign armies also occupied these buildings, using them as headquarters or sleeping quarters. Since the end of the civil war, many homes have been reoccupied by their original owners, while other buildings remain in ruins. An integral part of the urban landscape, these abandoned buildings stand as testaments of wars past scattered wounds in the collective memory and merit revisiting. These photographs speak of death and survival, the past and the present, and memories and transformations in a country that remains afloat among its ruins.

* Exhibited only in Beirut, Lebanon.

Photo Gallery | Artist Statement | Bio


James Nubile


Freedom's Wake
The vast majority of the millions of people of Eastern Europe and the former Soviet Union probably did not think the transition to a civil and functioning society would command such a heavy price: hundreds of thousands dead, millions of refugees, shell-shocked populations, and a generation of children that know only conflict. James Nubile has documented that transition, accompanying his images with articles from the Geneva Conventions.

Photo Gallery | Artist Statement | Bio

back to the top of the page
share  print  print

About Us  |  Initiatives  |  Grants, Scholarships & Fellowships  |  Resource Center  |  Newsroom  |  Site Map  |  About this Site  |  Contact


Creative Commons License
Except where otherwise noted, content on this site is licensed under a Creative Commons Attribution-Noncommercial-No Derivative License.
©2008 Open Society Institute. Some rights reserved.

400 West 59th Street  |  New York, NY 10019, U.S.A.  |  Tel 1-212-548-0600

OSI-New York, OSI-Budapest, OSF-London, OSI-Paris and OSI-Brussels are separate organizations that operate independently
yet cooperate informally with each other. This website, a joint presentation, is intended to promote each organization’s interests.